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The Game of Kings: Book One in the Legendary Lymond Chronicles (Paperback)
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Other Books in Series
This is book number 1 in the Lymond Chronicles series.
- #2: Queens' Play: Book Two in the Legendary Lymond Chronicles (Paperback): $17.95
- #3: The Disorderly Knights: Book Three in the legendary Lymond Chronicles (Paperback): $17.00
- #4: Pawn in Frankincense: Book Four in the Legendary Lymond Chronicles (Paperback): $17.00
- #5: The Ringed Castle: Book Five in the Legendary Lymond Chronicles (Paperback): $18.95
- #6: Checkmate: Book Six in the Legendary Lymond Chronicles (Paperback): $17.00
In this first book in the legendary Lymond Chronicles, Francis Crawford of Lymond, traitor, murderer, nobleman, returns to Scotland to redeem his reputation and save his home.
It is 1547 and Scotland has been humiliated by an English invasion and is threatened by machinations elsewhere beyond its borders, but it is still free. Paradoxically, her freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, posessed of a scholar's erudition and a tongue as wicked as a rapier. In The Game of Kings, this extraordinary antihero returns to the country that has outlawed him to redeem his reputations even at the risk of his life.
About the Author
Dorothy Dunnett was born in 1923 in Dunfermline, Fife, Scotland. Her time at Gillespie's High School for Girls overlapped with that of the novelist Muriel Spark. From 1940-1955, she worked for the Civil Service as a press officer. In 1946, she married Alastair Dunnett, later editor of The Scotsman.
Dunnett started writing in the late 1950s. Her first novel, The Game of Kings, was published in the United States in 1961, and in the United Kingdom the year after. She published 22 books in total, including the six-part Lymond Chronicles and the eight-part Niccolo Series, and co-authored another volume with her husband. Also an accomplished professional portrait painter, Dunnett exhibited at the Royal Scottish Academy on many occasions and had portraits commissioned by a number of prominent public figures in Scotland.
She also led a busy life in public service, as a member of the Board of Trustees of the National Library of Scotland, a Trustee of the Scottish National War Memorial, and Director of the Edinburgh Book Festival. She served on numerous cultural committees, and was a Fellow of the Royal Society of Arts. In 1992 she was awarded the Office of the British Empire for services to literature. She died on November 9, 2001, at the age of 78.
“[Lymond] is arguably the perfect romantic hero.”
“Vivid, engaging, densely plotted. . . . Dunnett is a master of suspense and misdirection.”
—The New York Times
“Exciting, dangerous, fascinating.”
—The Boston Globe
“A masterpiece of historical fiction.”
—The Washington Post
“First-rate . . . suspenseful. . . . Her hero, in his rococo fashion, is as polished and perceptive as Lord Peter Wimsey and as resourceful as James Bond.”
—The New York Times Book Review
“Dorothy Dunnett is one of the greatest talespinners since Dumas . . . breathlessly exciting.”
—Cleveland Plain Dealer
“Dunnett is a name to conjure with. Her work exemplifies the best the genre can offer.”
—The Christian Science Monitor
“Ingenious and exceptional . . . its effect brilliant, its pace swift and colorful and its multi-linear plot spirited and absorbing.”
“Dunnett evokes the sixteenth century with an amazing richness of allusion and scholarship, while keeping a firm control on an intricately twisting narrative. She has another more unusual quality . . . an ability to check her imagination with irony, to mix high romance with wit.”
—Sunday Times (London)
“A very stylish blend of high romance and high camp. Her hero, the enigmatic Lymond, [is] Byron crossed with Lawrence of Arabia. . . . He moves in an aura of intrigue, hidden menace and sheer physical daring.”
—Times Literary Supplement (London)
“With shrewd psychological insight and a rare gift of narrative and descriptive power, Dorothy Dunnett reveals the color, wit, lushness . . . and turbulent intensity of one of Europe’s greatest eras.”
—Raleigh News and Observer